Fernanda Mistral

In 1976, Argentina fell into the hands of a de facto government. Thousands of citizens are persecuted and kidnapped. This is the case of the parents of two children, who, knowing they are wanted, decide to hide.

María Ramos, a young woman of peasant origin, arrives in the capital and finds work as a domestic servant. Her life is divided by the attraction she feels for two men: the young man in the house where she works, who soon seduces and deceives her, and the teacher who teaches her to read and write. She soon becomes a seamstress in the neighborhood and later a sought-after designer. Her love for the teacher becomes clear.

The film depicts an eccentric Argentine family consisting of an elderly woman, her son, and the maid. Their relationships with each other and the outside world are closely linked to the dictatorship that grips the country they live in.

An Argentine who emigrated to the United States finds himself by chance in Argentina for business. There he hires a woman, Paula, who is from a traditional but poor family, and he finds himself falling in love with her.

A doctor arrives in a small, provincial town, and must pass himself off as a healer to gain the trust of its inhabitants.

"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.

Told in flashback, Federico lives in a poor neighbourhood with his siblings and his single mother, working helping in a local bar, he meets Claudio, who begins to lead him on an easy life making him abandon all his connections in consequence.

Story of a ordinary human being who, by chance, take possession of the money that was stolen from a bank, thinking that will solve all his problems.

A shy young man has trouble relating to women and asks an extravagant relationship counselor for help.

An award-winning architect struggles to find work, love, and a purpose in life.

To continue pretending to be a position they no longer have, a run-down upper-class family moves into the home of a wealthy aunt.

A movie in four parts. A frustrated woman finds love with a painter ("La estrella del destino"). A woman tries to seduce her subordinate when she takes him to her apartment ("La buscona"). A woman who killed her husband falls in love with the gravedigger ("La necrófila"). The sexual awakening of two teenagers and the reaction of their parents ("Chicos jugando al deseo") .

A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

It tells the story of three friends - two filmmakers and a producer - who embark on the filming of a film during the time of the Argentine military process and expose the operation of censorship, powerful instrument of the time, about the project. The protagonists must choose between allowing military impositions or self-censorship.

Ismael, the weakest and most unstable member of a supposed group of conspirators with power aspirations, constantly suffers ridicule and contempt for his leader, Lucas, and his other companions. Everything changes when a woman with whom Ismael is in love begins to delve into the macabre logic of the group.

A bank employee changes his life radically after the tragic death of his wife in a car accident along with a widower industrial.

A couple of university students face the dilemma of abortion.

Everyone tries that a successful single marry with a woman.

Two detectives are hired to investigate the theft of essential shoes for a famous dancer.

An orphan who's working in a Mansion, falls in love with the owners' son.