Alicia Sánchez

Baztan Üçlemesinin üçüncü kısmında Amaia, birçok şüpheli bebek ölümünü ve korkunç ritüelleri araştırır. Bu sırada etrafındakiler, ölümcül bir tehlikeyle karşı karşıyadır. Fernando González Molina'nın yönettiği Baztan Üçlemesi'nin son filminde Marta Etura ve Leonardo Sbaraglia başrollerde.

Dedektif Amaia bir dizi cinayeti çözdükten bir yıl sonra,Baztan Vadisi’nde önceki cinayetlerle ilişkili plan ve onu canevinden vuran bir gizemle karşı karşıya kalır..

Sin noticias de Dios, bir boksörün ruhunu kendi tarafına çekmek için biri cennetten diğeri ise cehennemden iki meleğin hikayesini konu ediyor. Bir boksör olan Manny, aldığı ağır darbe sonucu oluşan beyin hasarı ile mücadele etmektedir. Hayati tehlikesi olan Manny, bu sırada ruhunu metafizik bir kavganın ortasında bulur. İki doğaüstü ajan, Manny’nin ruhunu kendi tarafına çekebilmekle görevlendirilir. Ajanlardan biri tıpkı bir Paris kadar güzel olan meraklı biriyken diğeri ise Manny’nin yaşamını hapishanede geçirmesi için plan yapan cehennemden gelen bir garsondur. İki ajan da Manny’yi kendi safına çekebilmek için zorlu bir mücadeleye girişir.

Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursued (by Franco's Civil Guard) he flees to the mountain and Lucía discovers the reality of political repression, the silence, the horror and fear.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

Matias is a soccer referee. He promised his dying mother never to lie. When he referees a match of the spanish national team and there is a clear penalty against Spain in the last minute of the game he has no choice and marks the foul. As a result Spain does not qualify for the world championship and Matias is forced to escape from the rage of the people. He hides in the town of his father which he hasn't visited since his childhood.

The second feature length movie of Paulino Viota, this is a disillusioned and biting look at the years of Spanish democratic transition, narrated in a dry and scrawny style that shows the political intrigues, struggles and frustrated hopes of the first years of Spanish transition to democracy.

In 1977, the Voyager probe leaves for the galaxy with a message in Spanish recorded in the RNE (Spanish National Radio Studio). Almost 50 years later and sick with Alzheimer's, Carmen is facing being transferred from her home in her town to a residence in the city.

Pedro Liniers, a literature teacher, comes back to Madrid after his wife has just left him. Meanwhile, Aurora Villalba, came to Spain from Argentina, running away from the militaries, she has a special way of living her own way. Pedro wants to get back the job as a teacher through an old friend, Bruno Baena, who is the head master of the school. Aurora starts going to Pedro's classes. Pedro will become "El hombre de moda", very soon.

Justino was working in a bull-ring but now he is retired. For him it is very difficult to adapt to the new situation although he will find soon a hobby without forgetting his profession.

While the last remnants of the Empire are extinguishing and King Philip II (1559-1598) is dying in the shadow of lost splendor, a man, defying the divine and human justice, turns his passions into fate and his will into law. His fame is as great as his pride. His conviction, eternal. His name, a legend: Don Juan. Free adaptation of "Don Juan" by Moliere.

Aurelio and Maruja are a couple who has a fancy restaurant. Both have to take care of his godson Miguel as his father, the cook of the restaurant, flees from justice after having killed his wife because she was unfaithful. Miguel, a handsome young man, tricks Maruja and leaves her pregnant.

King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.

A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?

Three divorced men who share a flat live together without trouble until they hire a cleaning lady.

Opening at the funeral mass for Mikel, we flashback to those that played a part in Mikel's life and death; his estranged wife, his traditional Basque mother, a female impersonator and friend to Mikel in his coming out, and even the local priest.

Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.

Paco and José are two teenage boys living in a marginal neighbourhood of Madrid, a place hostile to each of their dreams. With serious family problems, and surrounded by an aggressive, macho, homophobic environment, they must lead a double life to hide the beginning of a love relationship and their passion for flamenco dance.

Bored 15-year-old school chums Rai Manu and Javi dream of sexual adventures and exotic resorts while the well-off population of Madrid flock to the beaches on a summer holiday. The youths hang around the concrete wasteland killing time by reading the sex classifieds and pushing their luck. They masturbate, thieve, fight with their families and get involved in a drug bust. Finally Rai, the most daring and restless of the trio - gets shot while trying to steal stereo gear from a car. Each adolescent faces a dreary home life but when they get together they enjoy each other's company to the full. The film is an engaging mixture of comedy drama and the pathos of life in a Madrid neighborhood.

In Galicia, in northern Spain, Malvís, a frustrated day laborer who, fed up with his life, has become a clumsy bandit, tries to make a name for himself by robbing travelers passing through a forest inhabited by colorful characters.

Juan Sahagún, since childhood, feels passion for his mother. One day in the street he sees a woman identical to her. He follows her and finds out that she works as an actress in a theater company, so Juan decides to hire the whole company to represent the people who have influenced him in his past. They recreate the same situations of yesteryear and Juan acts as the child he was, to relive the memories already forgotten.

Young Serra , after a boxing match dies falling from the roof of his house. The coach of his opponent that night, and old friend of Young, hire the services of Pepe Carvalho to find the mother of the son of Young so it will not be alone .

Atilano Bermejo is a petty crook who gets involved in the scam of his life: to be Prime Minister. His charisma and lack of social concern make him an ideal political candidate for a group of bankers looking for a good public image behind which to hide and disguise their ambitions.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

A police thriller, exploring the relationship between a murderer and the police officer, who pursues him in a life-or-death duel.