Marcella Di Falco

Büyük beğeni kazanan bir yarı otobiyografi olan Amarcord, 1930larda Mussolini hakimiyetinden hemen önce küçük bir Adriyatik köyündeki yaşam üzerine odaklanmaktadır. Bahar geldiğinde köyde bir festival düzenlenir ve yeni yaşamı kutlamak için sembolik bir şenlik ateşi yakılır. Meydandaki bu buluşma, film boyunca gerçekleşecek birçok buluşmanın ilkidir. Her bir araya geldiklerinde, topluluğun renkli üyeleri kendilerini bütünüyle ortaya koyup tuhaf kişiliklerinden övünç duyarlar. Fesat hâkim olur her yerde. Filme yayılan kaotik hava filmde açık bir olay örgüsü görülmesini zorlaştırır. Amarcord gerçeküstü birkaç sekansa bölünür ve bunlardan birkaçı rengârenk köy ortamında oradan oraya dolaşıp duran Titta adlı genç bir adamın çevresinde gelişir. Siyaset ve aile ilişkileri grotesk bir uyumsuzluk ortamında birbirine karışır. Amarcord 1975 yılındaki En İyi Yabancı Film Akademi Ödülü de dahil tam 13 ödül kazandı.

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.

Kadınları ve sinemayı çok seven bir yönetmenden düşler, gençlik hayalleri, serbest çağrışımlarla dolu, varyete zenginliğinde bir gösteri. Kadınlar Kenti, dünya sinemasının en usta yönetmenlerinden Fellini’nin kadınlara duyduğu saplantılı tutkuyu gözler önüne seriyor. Fellini’nin en sevdiği aktör Marcello Mastroianni bu filmde de yönetmenin ikinci benliği olarak karşımızda. Bir modern zaman Don Juan’ı rolündeki Mastroianni, geçmişten geleceğe uzanan büyülü bir yolculukta, hayatın farklı alanlarından pek çok kadınla içli dışlı oluyor. Bu yolculukta ulaşmak istediği son noktayı ise mükemmel kadın temsil ediyor.

When mobsters try to put an honest policeman on the payroll, he seeks revenge on the mob. But, he soon learns that his actions, however honest, have dire consequences.

An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate have it in him to go against impossible odds, in the name of the Italian people he represents?

Four episodes. A pilot is ready to change sex, but the doctor made an error. A woman is searching a partner for a dance contest. A worker seduce his boss wife. A guard is too much proactive and this will cause many troubles.

Set during a retreat of Christian Democrat politicians who practice spiritual exercises together, it is an allegory of corrupted power. Disturbing, claustrophobic settings are the background to a series of mysterious crimes.

Alberto Sordi directs and interprets a corrosive comedy, another "story of an Italian" that makes you smile and reflect. An arms dealer is exposed and would like to return to an honest business. But his family does not intend to give up that bloody money.

Viviana and Giovanni Renzelli are a married couple living in Turin. He works as a switchboard operator for a large plumbing supplies company. Suddenly, the couple’s life changes when Giovanni hits the jackpot on the Totocalcio, winning 850 million lire.

In Lazio, four young people named Riccetto, Girasole, Lallo and Tombarolo try to make a living by stealing what they find in the tombs of the rich buried. Being inexperienced, they often find themselves in trouble or pursued by the police.

During a banquet, the diners begin to tell various stories to be happy. All the novels speak of betrayals and erotic adventures

To gain fame quickly - three actors - Mino, Giacinto and Mirella, stage a fake murder (Mirella is the "victim"), then plan to find the "body" at the most opportune moment. Unfortunately, a real murder takes place in Mirella's apartment when a young woman named Margaret is killed. Having left abundant clues to the fake murder, Mino and Giacinto realise the only way to save themselves from jail is to find Margaret's killer. Despite the intrusions of a stupid police inspector, the two men discover she was killed by a mysterious "organization". Although every witness they try to question is killed by a hitman, they eventually unravel the mystery...

A wizard of the Middle Ages, while exorcising a girl, swallows eggnog and tells two suckers various Boccaccio stories.

Straccio, a young acrobat, wants to free his beloved Julia, held prisoner in the tyrant's castle. He designs a good plan, and develops it with the help of his three friends, Pietro, Bitonto, and Gatto Mammone. When he thinks he achieved both his ends - overthrowing Fregonese from power, and winning Julia's love - he finds that his countrymen cupidity for the tyrant's gold is more difficult to deal with.

The writer, Geoffrey Chaucer, finds himself in an inn, together with pilgrims who are going to Canterbury. Since the bad weather prevents departure, the men entertain themselves by telling each other spicy stories.

Luciano Persichetti is hypersensitive and convinced that he has paranormal powers. Susanna, a parapsychology student with whom he is in love, tries to help him interpret the paranormal warning messages he is receiving. When Luciano turns out to be haunted by a mysterious killer who calls himself "The Guardian Angel", Susanna discovers that Luciano's paranormal powers are not real at all.

Bearing witness to the transition from woman to man that the director experienced between the late 1990s and 2005. Cangelosi began working on the project thinking of it as a kind of visual diary that would follow him step by step through his own physical and psychological transformation. The film, reimagined in editing at the end of the director’s personal story, reconstructs it by interweaving it with part of the historical events and political struggles that have taken place within Italian society over the past two decades.

This is an exposition of the social and political history of renaissance Florentine history, told through dramatized conversations between the main participants, Cosimo de Medici and Brunelleschi.