Edith González

Doña Bárbara is a Spanish-language telenovela produced by the United States-based television network Telemundo, Sony Pictures Television International and RTI Colombia. Edith González and Christian Meier star in this adaptation of the 1929 novel by Venezuelan author Rómulo Gallegos.

Popular telenovela produced in Mexico in 1979, starring Verónica Castro, Rogelio Guerra and Rocío Banquells. Castro also sang the theme Aprendí a Llorar, a song written by Lolita de la Colina. The telenovela was produced by Chilean Valentín Pimstein and Carlos Romero, it was directed by Rafael Banquells. The story was written by Inés Rodena and adapted by Valeria Philips.

Soledade González is the housekeeper for Anselmo, a father of five: Jesus—who is disabled—Ramiro, Sheila, André, and Luíza. Knowing he was near death, Anselmo married Soledade so she would take charge of his children.

Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.

Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

The drama tells the story of Rosa, who lives with her godmother in a very poor neighborhood; she is a simple girl who dresses like a boy. She was abandoned by her mother, Paulette. One day, Rosa goes to a mansion to steal apples and meets the owner of the house, Ricardo.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

Fernanda Quiñones, whose stage name is Salomé, is a dancer who works at the D'Rubí cabaret in Mexico City with her friend Karicia. One day, Salomé meets Julio, son of the millionaire Montesino family, who is married to Ángela, a sickly woman who cannot have children. Lucrecia, Julio's mother, who is obsessed with the idea of ​​having a grandson who will inherit the family fortune, proposes to Salomé that she be the mother of that grandson. But, when she finds out that Julio, even though he loves her, will not only not leave Angela, but that she will be the one to raise the child as if it were her own, she flees far away with her son and two other babies abandoned by a neighbor. Twenty years later, Salomé becomes a wealthy business woman who lives with her three children. When he returns to Mexico, Julio and his mother will try to find out who Salomé and Julio's son is.

Cielo Rojo is a Mexican soap opera by TV Azteca. It stars Edith González and Mauricio Islas as the leading protagonists, with Regina Torné as the main villain and Alejandra Lazcano as leading teen cast. Filming lasted from 4 April 2011 to 1 December 2011. It premiered on 23 May 2011 on Azteca 13, occupying Entre el Amor y el Deseo's slot.

Vivir a Destiempo is a Mexican telenovela produced by Fides Velasco and Jacky Castro for Azteca. It stars Edith González and Ramiro Fumazoni as the protagonists alongside Humberto Zurita, Andrea Noli and Wendy de los Cobos as the main villains. The original story and screenplay is written by Eric Vonn. From February 25 to September 20, 2013 Azteca 13 broadcast Vivir a Destiempo, replacing Los Rey.

The year is 1972: Magdalena Dumont and Octávio Muriel are celebrating the birthday of their daughter, little Estefanía, at a party in the family mansion. However, this party is merely a backdrop and an opportunity to commit a crime.

Nunca te olvidaré is a Mexican telenovela produced by Juan Osorio for Televisa in 1999. It is based on a novel by Caridad Bravo Adams and starring Edith González, Fernando Colunga and antagonistic interests of Alma Muriel, Eugenia Cauduro and Humberto Elizondo.

Valentina and Sebastián—known as "Los Camaleones"—are manipulated by "El Amo" into stealing artworks and valuable jewelry worth millions of dollars; if they fail to meet his demands, he wields enough power to kill their only loved ones, who are currently imprisoned because of Augusto Ponce de León. Ponce de León is the police chief—and Solange’s father—as well as a womanizer estranged from Francisca Campos; he is in charge of the "Camaleón" case, which he must solve to secure a political position and gain ever-increasing power.

Palabra De Mujer is a telenovela remake of El Amor Tiene Cara De Mujer was made by Televisa, starring Edith González, Yadhira Carrillo, Ludwika Paleta, and Lidia Ávila. The telenovela, a production of José Alberto Castro, premiered October 22, 2007 and ended on May 9, 2008 in El Canal de las Estrellas.

Álex Moncada is a screenwriter from the United States who married a woman named Carolina Valtierra. However, a few days after her wedding, Carolina passes away in strange circumstances. Shortly after, Álex is wrongly accused of the murder of a woman during a trip and imprisoned for it, but manages to escape from prison thanks to a fire. Álex decides to investigate the death of his wife to discover her real murderer. To do this, he decides to contact Carolina's family; among them is Oriana, his twin sister.

Las Bravo is the story of Valentina and her three daughters who, when left helpless by the death of the father of the family, set up a strip club to support themselves since the deceased only left them debts. In this daring business adventure they encounter conflicts and dangers, but above all love.

Eight short stories of seduction and illicit encounters between lovers, filled with humor and eroticism, which use a circular structure located in the cosmopolitan atmosphere of a colonial city of Mexico.

Meksikalı, varlıklı bir çiftlik sahibi adamlarına emir verir: 'Bana Alfredo Garcia'nın kellesini getirin!' Alfredo adamın kızını hamile bırakmış ve kayıplara karışmıştır. Bir grup insan hızla araştırmalarına başlar. Bennie isimli bir piyanist aranan adamın öldüğünü öğrenir ve onun kellesini mezarından çıkarmak ve böylece ödülü almak üzere kız arkadaşıyla birlikte yolculuğa çıkar. İçine girdiği dünyanın ne kadar acımasız olduğunu bilmeyen piyanist, kelle uğruna sahip olduklarını yitirmeye başlar. En sonunda aklını da yitirmeye başladığında ise, cesur bir şekilde taraf değiştirerek kelle avcılarından intikam almaya başlar.

A group of friends go on a hunting trip on a bet to see who could kill a dangerous bear that's rumored to be killing people in the woods, but soon realize that it's not a bear that's killing people, but a deranged ex-army veteran.

An airplane goes down in the ocean during a storm and a few survivors find refuge on a small tour boat. Swept out to sea, these people slowly starve to death in the hot sun with barely any food or clean water. With no place to turn, the boat survivors resort to cannibalism to stay alive...that is ..until the rescue planes come to pick them up and the man eating sharks decide its time to eat as well.

In this remake of the 40's classic, two lovers murder each other, leading to an investigation and the closing of the Saln Mxico, a famous place where people used to go to dance before WWII. The police investigation leads to several flashbacks about the life and death of a low-life dancer named Mercedes (Maria Rojo) and her lover.

A band of thugs belonging to an organized crime family assaults several casinos at the same time creating death and panic in their wake. As they flee the scenes of their crimes police begin to close in on them, so they quickly hide themselves in a villa owned by a wealthy industrialist taking him and his family hostage.

Everyone living around a truck terminal has their destinies intertwined.

Fictionalized biography of singer/songwriter Jose Alfredo Jimenez.

Criminal psychologist Dr. Verónica Arizméndi (Edith González) gets the opportunity of a lifetime: A chance to study "The Descuartizador" (Jorge Reynoso), a vicious serial murderer who has gained notoriety thanks to the press and his sadistic crimes.

An African safari is attacked by savage natives and the sole survivor is an infant who is adopted and raised by gorillas. As he is growing up, his only human friend is a native boy he happens to meet in a chance encounter. He grows to be a young adult, discovers white civilization, and meets a beautiful white girl who becomes his mate. They have a son who becomes the second jungle boy in the movie, and the three of them prevail through perilous adventures.

A woman with a degree in biology and a particular taste for arachnids gets involved with some unfinished business left by her dead mother, leading her to face unlikely events that revolve around the banana mafia in a South American country, such as an etheric eminence that anticipates tragedies, a cryptozoological being that is mentioned with skepticism and a terrorist society that seeks to dismantle the fraudulent and sinister structure of land concessions.

Sandra and Deborah are two women trying to escape from a tragic recent event. They go for a vacation on a beach house but are then followed by an evil cult.

Murders take place in and around a hotel. Debuted on Mexican TV.

A tragicomic short film imbued with magical realism that revolves around the theme of death, focusing specifically on the Mexican people's bond with the departed.