Fernanda Montenegro

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

An ambitious young woman with a traumatizing past targets an Italian man, the distant son of a wealthy Brazilian family.

Jose Inocencio had innocence only as part of his name, but only those who new him well could notice this. But nobody knew him. He was a storyteller, and he was always the main character in the stories he told. He managed not only to create stories about himself, he managed to create a legend. The story of this powerful cacao farmer; Maria Santa, the beloved wife who died; and their four children is the main theme of 'Renascer'.

Júlia and Pedro suffer from the cruelty of their grandmother, Bia Falcão. Júlia runs the luxurious Belíssima factory and falls in love with Nikos, a friend of her sister-in-law Vitória.

Quinzinho and João Victor are identical twins separated at birth, unaware of each other's existence. The brothers eventually draw closer, guided by their instincts.

Maria do Carmo becomes wealthy through her father's business dealings and becomes a successful businesswoman, but she retains the habits of her humble past.

Felipe Barreto, a renowned plastic surgeon, makes a wager and gets involved with his employee's fiancée; from that moment on, the lives of those involved were never the same.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

Santos Dumont's daughter, Marisa Dumont, known as Zazá, flies over the Eiffel Tower in a replica of the 14 Bis. During one of her flights, she decides to find guardian angels to protect her seven children.

Maria da Paz is a committed baker who becomes a wealthy businesswoman twenty years after a tragedy strikes on the day of her wedding to Amadeu. From this broken union a baby is born, Jô, who seeks power and despises her mother’s humble origins. Afraid that her parents’ reunion might spoil her plans, Jô starts an alliance with the charming Régis to convince Maria to marry him and, together, they plan to steal all of Maria’s fortune. In this exciting telenovela written by Emmy Awards winner Walcyr Carrasco, Maria’s optimism must be stronger than Jô’s ambition when the baker finds out about the betrayal and her own daughter’s dangerous secrets.

In Ambitious Women, all levels of ambition are revealed in a plot full of greed, revenge and struggle for power, through the conflicts of three strong women with very different personalities.

The central story is focused on the daughters of Lulu de Luxemburgo - Tatiana , Alessandra and Ramona, who fight among themselves for Jardim do Éden resort, which their father, Fausto Cavalcante , left behind after cheating his two partners, Arthur Brandão and Manolo Gutierrez. With the disappearance of Fausto, the whole family, which was separated and spread across the world (between Rome, Los Angeles and Las Vegas), returns to Brazil.

Cousins ​​Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.

The main plot revolves around a hidden treasure. The story begins when a gang steals ten million dollars worth of diamonds in Uruguay. To escape the police, one of the thieves, Rodolfo Torres de Almeida, flees to Argentina. His partner, Ivo Simeone, travels to São Paulo with the jewels. Ivo decides to hide the precious stones and, to ensure he doesn't forget the hiding place, has a map tattooed above the buttocks of a girl, the daughter of his neighbor. The thief takes care to photograph the girl so he can identify her in the future. Ivo is arrested and, eight years later, when he gets out of jail, he is run over and killed. Before dying, however, he manages to tell his son Rodrigo the secret about the treasure map. The young man follows the clues given by his father and discovers that the young woman with the tattooed map is Elisa, a novice nun cloistered in a convent, about to take perpetual vows.

A Muralha is a Brazilian telenovela that first aired on TV Excelsior in 1968. It is based on a novel by Diná Silveira de Queirós.

The story follows the lives of Naná and Gegê, a pair of con artists. Gegê is the uncle of Tina Pepper, a Tina Turner fan who dreams of becoming a famous singer.

Rio de Janeiro’dayız. Hayat güzel, insanlar plajda keyif yapıyor ve her şey çok rahat, hoş, sakin. Ancak, yıl 1971 ve Brezilya askeri diktatörlüğün git gide sıkılaşan pençesinde eziliyor. O gün, eski milletvekili Rubens Paiva ordu tarafından gözaltına alınır, karısı Eunice de daha sonra tutuklanır. Eunice günler sonra serbest bırakılır, ancak Rubens ortadan kaybolmuştur. Beş çocuğuyla ortada kalan Eunice, ailesinin paramparça oluşuyla hem aktivist hem de bir avukat ve kahraman olarak hayatını ve kendini baştan yaratmak zorunda kalır.

Brezilya'nın hinterlandında yaşayan iki arkadaş, neşeli Joao Grilo ile kurnaz Chico, Brezilya'nın Kuzey Doğusundaki ufak bir kasabada önüne gelen kişileri kazıklamışlardır. Ama öldükleri zaman Cennete girebilmeleri için Hazreti İsa, Şeytan ve Meryem Ana tarafından yargılanacaklardır.

Rio de Janeiro'da çalışan, müşterilere mektup yazıp postalamakla görevli soğuk ve yaşlı bir kadın olan Dora (Fernanda Montenegro), müşterilerden ve insanlardan nefret ediyor. Dokuz yaşında bir çocuk olan Josue (Vinicius de Oliveira), babasını hiç görmemiş. Josue'nun annesi, kocasına mektuplar yazıyor ve bu mektuplar Dora aracılığıyla gönderiliyor. Kadın bir araba kazasında ölünce, Josue'nin sorumluluğunu insanları pislik olarak gören Dora üstlenmek zorunda kalıyor. Dora, Josue'yı babasını görebilmesi için yolculuğa çıkmaya ikna ediyor ve bu iki farklı insan arasında sıradışı bir dostluk kuruluyor.

Terk edilmiş bir sevgilinin, yeniyetmelik yıllarından başlayarak yaşlılığın alacakaranlığına dek süren yarım yüzyıllık aşkının öyküsü.Florentino Ariza,13 yaşında ilk gördüğü andan beri güzel bir Latin kadını olan Fermina Dazave'ye karşılıksız bir aşk duymaktadır. Ancak kızı Fermina için Florentina'dan daha iyi bir damat düşünen baba kızını evden uzaklaştırır. Doktor Juvenal Urbino ise iyi bir damat adayı olarak karşılarına çıkacak, olaylar bu aşk üçgeninde beklenmedik sürprizlerle ilerleyecektir.

10 yönetmen tarafından çekilen 11 filmden oluşuyor. Dünyanın farklı ülkelerinden gelen yönetmenler her bir filmde Rio'nun başka bir semtini "aşk temasıyla" beyazperdeye taşıyor. Her semtin farklılığını ve karakteristiğini yansıtan bu kısa aşk öyküleri, kültürler arası bir köprü kurarak uçurumları da kapatmayı hedefliyor.

An elderly retired couple teams up with young partners to plan a daring bank robbery, while trying to outwit a detective determined to stop them.

Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.

Rio de Janeiro, 1950. 18 yaşında olan Eurídice ve 20 yaşında olan Guida, tutucu ebeveynleri ile yaşayan iki ayrılmaz kız kardeştir. Geleneksel bir yaşamın ağırlığı altında ezilmiş olmalarına rağmen, ikisinin de hayalleri vardır. Eurídice ünlü bir piyanist olmak, Guida ise gerçek aşkı bulmak istemektedir. Dramatik bir şekilde babaları tarafından birbirlerinden koparılırlar. Ayrı yaşamaya mecbur edilen kardeşler birbirlerini bulmanın umudunu hiçbir zaman kaybetmeyeceklerdir.

A portrait of one of Brazil’s greatest actresses, centered on the one thing inseparable from her identity: her craft. The documentary follows Fernanda Montenegro through her most recent work while looking back at the past to trace the making of a great actress over the course of her career. Directed by Pedro Waddington, son of filmmaker Andrucha Waddington—Fernanda’s son-in-law—the film embraces their family relationship as part of its narrative, capturing intimate moments with the actress backstage and unveiling previously unseen footage of projects made together as a family.

Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most important names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the place of his own generation in history, in art and the world as a whole.

Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.

After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.

The eccentric members of a wealthy Brazilian family each go through personal torment, debauchery and intense guilt. The father has made a fortune in the slaughterhouse business and ignores the feelings of his wife and his workers. When the mother threatens to leave, the father begs for her to stay and continue the hollow charade of their marriage for the sake of social appearances.

After 20 years missing, João Grilo returns to Taperoá to join his old friend Chicó and, after his story of resurrection spreads, he is disputed as an electoral candidate by the two most powerful politicians in the city.

Middle-class teenage girl has a serious boyfriend that her parents approve of. Suddenly, she meets another boy with whom she is shown to have a greater identification.

With fireworks forming the word “Rio” in the sky and supermodel Gisele Bundchen shimmering to the tune of “The Girl from Ipanema,” Rio de Janiero welcomed the world to the first Olympic Games in South America with a serious message underlying the celebration: Let’s take care of our planet.

Based on Érico Verissimo's literary trilogy, Time and the Wind follows 150 years of the Terra Cambará family and their opponents, the Amaral family. The struggles between the two families begin in the missions and lasts until the end of the 19th century. The film also features the period of formation of the state of Rio Grande do Sul and the dispute of territory between the Portuguese and Spanish crowns.

Augusto moves with his family to an abandoned farm, inherited from his grandfather, hoping to put his life back on track. The property, however, carries the karma of the betrayal of the slave Couraça who seeks revenge against Augusto's family.