Otto Kruger

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

The story of a young intern in a large metropolitan hospital trying to learn his profession, deal with the problems of his patients, and win the respect of the senior doctor in his specialty, internal medicine.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

An anthology series adapted from the radio program of the same name. Like the radio program, many scripts were adaptations of literary classics by well-known authors. Classic authors such as Edgar Allan Poe, Agatha Christie, and Charles Dickens all had stories adapted for the series, while contemporary authors such as Roald Dahl and Gore Vidal also contributed.

Thriller is an American anthology television series that aired during the 1960–61 and 1961–62 seasons on NBC. The show featured host Boris Karloff introducing a mix of self-contained, macabre weird-horror and morbid, hitchockian crime stories, in some of which he also starred.

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

가장 지저분한 기사를 싣는 것으로 소문난 스톱 잡지사의 편집장인 밥 웨스톤은 23살의 심리조사학자인 헬렌 브라운 박사에 대한 기사를 실어 히트를 친다. 그 기사로 인해 상담자가 줄어드는 등 많은 피해를 보고 있는 헬렌은 밥에게서 전화가 오자 모욕을 줘서 끊어 버린다. 밥은 스타킹 제조업자인 프랭크가 밤낮 질투 많은 그의 아내 실비아에게 바가지 당하는 것을 보고 프랭크의 결혼 문제 상담도 할겸, 헬렌 박사에게 타격을 줄 새로운 기사거리도 취재할 겸 해서 프랭크로 가장하고 헬렌 박사를 찾아간닫. 하지만 밥은 순진한 헬렌 박사의 인간미와 그녀의 미모에 이글리어 사랑에 빠지고 만다. 또한 아내의 문제를 갖고 고민하는 밥을 상담해주던 헬렌도 그를 점차 사랑하고 있음을 알고는 고민에 빠진다. 밥은 일부러 자살 소동극을 벌여 헬렌도 자기를 사랑하고 있음을 확인한다. 헬렌은 밥의 사랑을 고백하며 자기와 실비아와는 법적인 혼인 관계가 아니라고 얼버무리려고 하자, 실비아를 만나보고 확인을 해보겠다고 한다. 결국, 헬렌의 사무실에는 프랭크의 아내인 진짜 실비아와 만나게 되고 이것을 모르는 밥은 가짜 실비아를 보내 대충 자신의 아내 행세를 한 뒤 자신과 헤어지게 하지만, 엉뚱하게도 가짜 두 명이 나타난다. 결국 실비아는 프랭크가 중혼한 것으로 오해해 감옥에 가두고 프랭크를 출감시켜 달라고 실비아를 찾아갔던 헬렌은 프랭크라고 하며 자기를 찾아왔던 남자가 바로 스톱잡지사의 편집장, 밥 웨스톤임을 알게 된다. 배신감과 실의에 빠진 헬렌은 루디와 함께 피지섬으로 도피하려고 하는데 그 사실을 안 밥은 끝까지 쫓아와 모든 오해를 풀고 헬렌을 되찾는다.