Kishore Kumar

Shobha Mathur lives a wealthy lifestyle with her Professor dad, who is now carrying out experiments on various issues. One day while doing so, he makes an employee named Manohar drink a potion, which results in his death. Rajan comes to their rescue, gets rid of the body, and starts blackmailing Mathur, which can only end when Shobha marries Rajan. Then one day Shobha meets a poet by the name of Sudarshan and both of them fall in love. When he asks for her hand in marriage, Shobha refuses. The next day Shobha finds a note addressed to her from Sudarshan in which he has stated that he is going to kill himself. Thereafter, every night she starts to hear Sudarshan's voice, blaming her for his death, as his soul is unable to find solace. With Sudarshan out of the way, Rajan readies himself for marrying Shobha - and it looks like he may have his way with the Mathurs after all - without having to encounter any more obstacles.

When his car breaks down, Amitabh Bachchan finds himself in a busload of students. Shortly, the students, debating heatedly whether man is greater or a woman, put the question to their esteemed guest.

Beautiful Radha lives in a small hill-station in India. One day, Mahesh comes for sight-seeing, both meet, fall in love with each other, get intimate, and Mahesh promises to return, marry her and take her with him to live in Bombay. He does not return, Radha continues to search for him in every train that stops at Shampur, in vain. She eventually gives birth to a baby girl, Laxmi, and both are looked after by Shampur's kind-hearted Station Master. Radha does come across Mahesh, but he refuses to recognize her, and she kills herself. The Station Master takes Laxmi to her next of kin, in all two families, but all reject Laxmi, consider her inauspicious, and will have nothing to do with her. He leaves Laxmi with her maternal grand-parent, Bhagwanti and her husband, but Laxmi is abused and she runs away to Bombay, where she is befriended and looked after by a blind beggar, Anwar.

A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)

A simple man from a village falls in love with his new neighbor. He enlists the help of his musical-theater friends to woo the lovely girl-next-door away from her music teacher.

The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’

Three woman-hating brothers face changes in their respective lifestyles when two of them fall in love.

A man is devastated when his beloved is seemingly killed in a train crash, so his colleagues suggest he goes for a picnic to cheer himself up.