Uroš Đurić

Andrija and Andjelka , a couple in their mid thirties, are a typical example of what happens when a man and woman live together. Although they are sincerely love each other, they often get on each others nerves, whether in the bedroom, a supermarket or a dinner with friends.

Due bambini, uno serbo e uno bosniaco, dopo essere cresciuti insieme, si ritrovano da grandi a combattere l'uno contro l'altro la stessa guerra.

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

Un gruppo di attivisti gay di Belgrado sta cercando di organizzare una gay pride: tra loro c’è è anche Mirko, un regista teatrale che si mette alla ricerca di qualcuno che possa garantire la sicurezza della manifestazione dopo i rifiuti della polizia. Il caso vuole, però, che il suo ragazzo, Radmilo, curi il cane di un losco individuo omofobo che gestisce un'agenzia di guardie del corpo, e che gli chieda di presidiare la parata...

Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.