Victor Sjöström

Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.

A Swedish drama from 1939 about the social and political developments in Sweden from 1885 until the dissolution of the union in 1905. The year is 1885, Christina Nilsson sings "Fourteen years I believe certain that I was" in the Grand Hotel's Great Hall . She also sings from the balcony of the hotel and the panic arising among listeners outside the hotel. In Norway, talks about the dissolution of the Union and the Swedish socialists with Hjalmar Branting (Victor Sjöström) is in the lead for independence.

An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.

After the respectable Dr. Monro was found dead, the housekeeper and two engineers testify in court. A case of commercial delinquency and bribery is reconstructed on that occasion. Sadly only about half the film exists today.

The poor farmer Jan is getting very old when he becomes father to the girl, Klara Gulla. First, he sees the child as a burden, but when he receives the newborn child in his arms he is overjoyed. He does everything in his power for her during her. But when she as an adult leaves home, Jan can not come over the loss of her.

Swedish version of Norwegian National Author Bjørnstjerne Bjørnson's novel.

Documentary of the Swedish actor/director Victor Sjöström and his work - from Terje Vigen (1917) to Smultronstället (1957) Director Ingmar Bergman is interviewed about his memories of and experiences of Sjöström.

A young orchestra violinist’s fear of mediocrity and drive for artistic success strain his marriage to a fellow musician. Told largely in flashback and shaped by Beethoven’s Ninth Symphony, the film examines ambition, love, and loss in early Ingmar Bergman.