Leila Hatami

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

Armin is a gifted and introspective student of network security that spends most of his time on his newly established book publishing site.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs and old generation. This is a failing battle because the man is not strong enough.

A woman comes back from Paris to her country after a long time. She meets a man that she hardly knows, but he knows a lot about her life.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

In an Iran weighed down by a struggling economy, two middle-aged brothers live with their bullying father. A man prone to rages and driven by chauvinism, the father’s abusiveness found his second wife leaving him. Now he picks on his eldest son, while the younger sibling fantasises about ways to kill his father. When the man rents out the flat above to a young woman, with intentions of marrying her, the woman’s attraction to the older son slowly pushes this profoundly damaged family to breaking point.